Beige three men

$5,800.00

 

A combination of impatience, sarcasm, and innovation 

“Color interferes with the attention I want to give to my subjects. I have an extreme basic difficulty with color; black and white are all that is needed to strengthen my visual story, and nothing else is needed. Color is invasive, it is trendy, and it is not what my characters need. The large range of grays is more important because for me painting is inextricably linked to black and white.” My characters come out of my imagination, from the reality that surrounds me, I like to watch people, but not obsessively or maniacally. It happens naturally, in fact, they come to me, while I walk, or when I am on the train, on the subway. When it happens that I have in front of me the lady at the counter of the office x, with a pronounced nose, with ears that are not big enough, eyes like two soft-boiled eggs. The exaggerated detail already has sarcastic content in itself. Looking at something is very different from seeing it, I summarize with a few traits, those aspects that make that person unique compared to the generality, thus exaggerating peculiar aspects.

Valentina Iacovelli

  • Artist: Valentina Iacovelli
  • Dimensions: 100 x 120 cm
  • Medium: Oil and acrylic on canvas
  • Key Theme: Human connection
  • Visual Impact: Elegant neutral color composition with exaggerated sarcasm
  • Certificate of Authenticity: Included
  • Style: Abstract expressionism

This piece appears to be an expressive, gestural depiction of three male figures rendered in black and white strokes against a soft beige or neutral-toned background. Here are some observations and impressions:

The three figures are arranged in a loose line from left to right, each with a distinct pose and style of dress, while the middle figure is slightly hunched, wearing what looks like a beret or flat cap, and there’s a suggestion of a cigarette or cigar in his mouth.

The left and right figures have elongated, abstracted faces. The left figure’s torso is turned in a subtle three-quarter angle, while the right figure appears more upright, as if standing at attention.

Below the figures, there is a swirling form that could be a hat or perhaps an object they’re gathered around, adding a small focal point in the lower center.

The painting is energetic, with quick, confident strokes defining outlines and contour.

White highlights emphasize areas of the clothing and facial features, creating depth and giving the figures an ethereal or ghostly presence.

The use of line is loose and sketch-like, recalling an expressionistic or semi-abstract figurative style.

The monochromatic palette of black, white, and gray tones on a warm background enhances the gestural quality, focusing the viewer’s attention on the lines rather than color.

The figures have a slightly whimsical yet contemplative feel; their facial expressions (though abstract) suggest introspection or quiet conversation.

The dynamic swirls and smudges impart a sense of movement and immediacy, as if capturing a fleeting moment.

Overall, this piece merges figurative representation with lively, almost improvisational mark-making. It evokes a scene of three individuals—perhaps acquaintances or strangers—gathered together, each caught in a distinct mood or posture. The muted palette and expressive lines give the painting a thoughtful, spontaneous energy.

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