The nose of a sommelier

$1,200.00

I like to observe people and accentuate the details of their expressions in my paintings.

I saw this man during a wine tasting.

I was impressed by his seriousness in carrying out the sensorial analysis of wine.

I associated my work with the subtle art of tasting! For wine lovers, sipping it is equivalent to enjoying the work of an artist”

 Valentina Iacovelli

  • Artist: Valentina Iacovelli
  • Dimensions: 60 x 60 cm
  • Medium: Oil on canvas
  • Key Theme: Humans
  • Visual Impact: A red field with a human sarcastic image of a man
  • Certificate of Authenticity: Included
  • Style: Abstract expressionism

 

At first glance, this painting immediately captures the viewer’s attention through its striking contrast of colors and the bold simplicity of its subject. Dominated by a vibrant red background, the canvas features a stylized facial profile in pale yellow tones. The artist’s choice to focus so intently on the nose—an often-overlooked feature—imbues the work with both whimsy and thoughtful restraint. This seemingly minimal composition, however, conceals a wealth of nuances in line, texture, and form that invite a closer look.

Much of the power in this artwork comes from the bold, flat expanse of red that commands the viewer’s eye. Red is a color traditionally associated with passion, energy, and intensity, and it serves as an emphatic backdrop for the pale yellow face. The stark contrast between these two colors amplifies the subject’s prominence. Because the red field is mostly uninterrupted, it functions almost like a stage curtain, allowing the eye to hone in on the silhouetted profile. By selecting such a vibrant background, the artist underscores the importance of the facial shape while also creating a sense of drama.

The face itself, rendered in soft, pale yellow with subtle variations in shading, rests along one vertical edge of the canvas. Black outlines define its contours, particularly the arch of the nose, the gentle curve of the nostrils, and the delicate line of the mouth. These outlines call to mind the tradition of caricature or illustrative art, where an economy of line is used to communicate the essence of a form. Yet, while the black contour is suggestive of a cartoon-like approach, it retains a certain elegance. The outlines are neither too thick nor overly stylized, giving the face an air of simplicity that allows the shapes to speak for themselves.

Though the piece may seem minimalist at first, subtle gradations of color within the yellow add depth and texture. One can detect soft washes of orange or warmer tones near the nose’s bridge or along the cheek, hinting at the natural warmth of human skin. These variations prevent the face from appearing flat or one-dimensional. Instead, the interplay between lighter and darker areas in the paint invites the viewer to consider the shaping of the nose—the gentle slope, the rounded tip, and the shadow beneath it. This focus on the nose, in all its curvature and proportion, might evoke themes of individuality, identity, or even self-consciousness. After all, the nose is a feature that we often notice immediately, for better or worse.

In many ways, the painting’s composition is a study in balance. By placing the profile off to one side, the artist leaves a large swath of red on the opposite side. This negative space not only provides a resting place for the viewer’s gaze but also highlights the central importance of the facial contour. The small details—the distinct outline around the nostril, the subtle shading at the corner of the lips—carry heightened significance in a composition so pared down. Each mark or brushstroke can be read as both deliberate and expressive.

The emotional resonance of the work stems from its quiet interplay between humor and sincerity. On one hand, focusing on the nose can be seen as a playful decision, drawing attention to a feature that is often downplayed or perceived with sensitivity. On the other hand, the careful rendering of its shape indicates a deep appreciation for the physical realities of the human face. Through this single, magnified element, the painting can be interpreted as a meditation on self-acceptance. It invites viewers to consider how they perceive themselves and others, reminding them that beauty and individuality often lie in the “imperfections” or unique traits that set us apart.

Texturally, the paint application appears smooth in some areas and slightly denser or more textured in others, which becomes more evident upon closer inspection. This variety in surface quality enriches the otherwise minimalist palette, creating a subtle push-and-pull effect that makes the face appear to shift in and out of the background. In places, the red underlayer seems to peek through just a bit where the yellow is thinner, further unifying the composition. These details reward sustained observation, as they reveal the artist’s hand and process behind what initially seems a straightforward image.

Ultimately, the painting succeeds as both a visual statement and a conceptual prompt. The large, graphic shape of the nose against the bold red backdrop makes for an immediate, memorable impact. Yet, beyond the initial pop of color and form, there is room for deeper reflection on identity, individuality, and our often-complicated relationship with our features. By narrowing the focus to one part of the face, the artist has harnessed minimalism to amplify meaning, demonstrating how even the simplest compositions can carry a profound emotional weight.

 

 

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